![]() |
||||
“God is not an uncle. God is an earthquake!” [Cont. from page 3] ... Another clue to what this kneeling means stands at the end of a poem by W. H. Auden called “Precious Five.” It deals, stanza by stanza, with each of our five senses. After treating the five, Auden says in a final stanza:
Bless what there is for being with the Yes of blessing. Be happy, precious five. Be happy. But happy in what sense? Again Eliot has a passage about that happiness:
All we need to do is hold still, be still, be open, listen. Then even the most shattering event may become transparent in a sudden illumination. The fourth section of “Little Gidding” in the Four Quartets describes a shattering event quite comparable to Guernica. It also deals with the bombing of London and was written during World War II. In these two stanzas Eliot makes the dive bombers transparent to the dove, symbol of the Holy Spirit who sends fire from the sky at Pentecost. The daring imagery is almost a tour de force.
This does something to our concept of God, I hope. It reminds me of what a Hassidic master said: “God is not an uncle. God is an earthquake!” And that earthquake is not something that happened out there in 1937 in Spain or in 1944 in London. It happened the last time we had some soul-shattering experience. It may happen whenever and wherever we hold still. And it will not only destroy but build up, if we can rise to a Yes of blessing. Blessing is a creative encounter, for it is that basic gesture which, in Biblical tradition, we predicate both of God and of ourselves. God blesses us. We bless God. I am grateful we chose this place for a conference on art and the sacred. Lindisfarne is right now going through a time of crisis. A time of crisis is a time to kneel, to open ourselves for blessing, and to bless. Thus, the sacred will take shape. May Lindisfarne in every crisis (as Rilke put it), “like the tongue between the teeth, remain, nevertheless, an organ of praise.”Reprinted from Lindisfarne Letter, #6, 1978. Excerpts from Four Quartets by T.S. Eliot are reprinted by
permission of Harcourt Brace Jovanovich, Inc.; copyright©1943, by T.S.
Eliot;
| ||||